Rental Catalog
Our Pricing and Rental Policy:
We've learned that we can best satisfy our customers by getting to know you, your project,
and your needs.
Given this approach, we can recommend the gear that will work best for you.
And, we're honest. If we don't have what you need, we're well connected and can recommend other vendors
that can do the job or can supplement what we have.
By understanding your total project needs, we can put rental packages together that get the
job done and give you significant package discounts. We also let you try out the gear (at or near our
office) to let you make sure it will work for you at no charge.
Rest assured, we price competively and will work with you to price-match or go one better (if
we can).
We're also a production company and we use the gear regularly and know it well. If you need training or
recommendations to get the most out of the gear, we're available and stand behind the
gear by being "on-call" during your production.
Cameras:
Panasonic AF100
Panasonic's new Micro-Four-Thirds camera. Has excellent depth of field that you
would expect from a large format sensor. OTM has adapters for Nikon (Zeiss)
C-mount, and (ARRI) PL mount glass. We have an excellent selection of Panasonic Lumix ( 14-140mm)
as well as wide-angle 7-14mm. Our Zeiss Distagon lenses work well with this camera.
The camera records on to SDHC cards (we have 6 16Gig SDHC cards) in AVCHD
format. A great camera that gets better results than DSLR cameras and has all the
video camera features you would expect. Can be monitored in HD-SDI or HDMI.
The AF100 does very well in low-light situations (given the appropriate glass speed).
The AF100 is becoming very popular in the digital cinema world and several feature
films have been released or are in production using this camera. We highly recommend
them as a replacement for "A" cameras in DSLR camera shoots.
The AF100 can run approx. 3 hours on two 16GB SDHC cards recording to AVCHD
format. You also have the option of using a HD/SDI recorder (such as the NanoFlash)
for higher bitrate and colormodel recording.
The camera can record two audio channels at mic or line level. There are two on-board
mics (which we don't recommend using).
We have two of these cameras to rent and they make a good pair. Timecode
can be synched via an RCA cable or to TC lines using a BNC cable and
a BNC to RCA adapter (included).
Battery life is excellent and we have two batteries per camera.
If you're shooting with the Canon 5D,7D, you should definitely check out the
AF100.
If you want use your or our Canon EOS glass on the AF100, we have the Redrock EOS to MFT adapter
Panasonic HVX300
Panasonic's 1/3" 3MOS camera is an excellent ENG style camera
and records in AVCINTRA100 format full 1080p. The Fujinon lense
features excellent tactil rocker zoom and auto iris controls.
The HVX300
has TC and GENLOCK sync lines for broadcast work. We have two of
these cameras and they make a great pair.
One has the Lectrosonics SR-a dual-channel wireless reciever (with
two transmitters and lav mics).
The camera is capable of recording four channels of simultaneous audio.
One of our cameras is fitted with a Zacutto rail mount and can be equipped
with our (optional) Zacutto focus-pull and matte-box assembly.
Each camera comes with two IDX Endura batteries. The camera has excellent
battery life and two Enduras will take you through an entire day's shoot easily.
The HPX300 ( due to it's 1/3" sensor ) is not a low-lite camera. However, given
the appropriate light levels, the camera produces excellent 1080p images and
the Panasonic AVCIntra100 codec is excellent.
For monitoring we have two Datavideo HD/SDI to HDMI converters to allow you
to monitor on a variety of LCDs.
We have 64Gig of P2 media per camera as well as a Panasonic P2 USB card
reader (for off-load).
Canon 5D MK II
The camera that started the DSLR video revolution! The 5D MKII is a full frame 35mm sensor
capable of stunning images and excellent depth of field and low-light sensitivity.
We have a stereo Rode Mic for audio recording ( and we recommend that you do not use the on-board
microphones).
The camera records to CF cards ( we have 6 16gb CF cards).
We have two of these cameras and they make an excellent pair. The lens is the stock 24-105mm
Canon lens, however, we have Nikon adapters for our Zeiss glass.
Canon 7D
RED Scarlet-X (PL and Canon) .. coming soon
Watch for the arrival or our Scarlet-X Ti Camera with PL and Canon EOS adapters.
Field Recording and Timecode
Sound Devices MixPre
A recording studio quality micpre featuring Lundhall transformers and a great limiter design
that makes clipping the audio nearly impossible. Great battery life and a very low S/N ratio.
Excellent headphone monitoring for your recordist.
Has two pre-amps (for two booms) with panning and mixing level controls.
Stereo links are switchable to preserve stereo imaging.
PSC M4 (4-channel) Field Mixer
The venerable PSC M4 is a favorite for reality TV production. 4 mic inputs
with both T and 48volt phantom power down mixes to a stereo output.
Uses AA batteries.
Tascam HD2 Field Recorder
Excellent and full-featured two-channel field recorder supporting sample
rates up to 192kHz. Able to sync to both WordClock and LTC lines, the
HD2 field recorder will produce sample aligned and time-coded broadcast wave
files. Excellent ADC converters and good battery life.
Both the MIXPRE and the HD2 fit into a convenient shoulder bag
for your recordist.
We also have two Sennheiser noise-isolated headphones for monitoring.
Zoom H4N
An excellent small field recorder that can record up to 4 channels of audio (on-board
mics and two inputs ( line or mic level). Good battery life and the onboard mics sound
surprisingly good.
Writes to an SDHC card and can record up to 192kHz/24bit. Battery life is shortened if
phantom power is provided to condenser microphones.
We have two of these units, plus a Zacuto Z-shoe to allow the H4N to be mounted on the
shoe mount of the Canon 5D.
Please note the H4N does not record in broadcast wave format and cannot be sync'd
to timecode or external work clocks.
Rode NTG-3 Shotgun mic with boom, windshield and dead-cat
The NTG-3 is a highly-durable boom mic with sonic characteristics very similar
to the Senn 416 .. . but .. it's waterproof .. so it won't "zap out" in high humidity ..
which is why certain shows set in lost islands used them.
Sennheiser 416 Shotgun Mic
One of the workhorses of the industry, the venerable Sennheiser 416.
'Nuff said
.
Rode Blimp System
Similar to the Rycote blimp system, but with better ergonomics. Will
work with either the Sennheiser 416 or the Rode NTG-3. Excellent in windy
conditions and comes with a "dead wombat" fur cover.
Sennheiser G3 Wireless Lav and "Plug" XLR
Great sounding wireless lav and XLR adapter from Sennheiser.
Very low noise. We have three sets of these in the "G" frequency block.
Rode SVM Stereo On-Camera Mic
Mates to the Canon 5D MKIII and gets and excellent X/Y stereo image from an on-camera
microphone.
Denecke SB-3 Timecode Generator
The super-stable SB-3 supports jam-syncing to a LTC line (1/8") and produces both TC lines (for our HPX300 and
AF100 cameras) as well as Wordclock lines for our Tascam field recorder. Say "goodbye" to mis-matched drop-frame
audio recording and timecode slips.
Movie Slate and the Apple iPad2
Movie Slate is an iPad/iPhone application and is a full-feature digital slate complete with timecode sync.
Combined with our Denecke SB-3, Master Slate can communicate a LTC timecode signal over its
headphone output to both the SB-3 and the Tascam HD2 field recorder.
Even cooler, you can email yourself the entire take log for the day and import it into
many popular NLE's (such as final cut pro). A huge time saver
IPad2 rental is included with Movie Slate.
Kinoflo Lighting Options
KinoFlo Diva 400 kits
OTM is proud to feature KinoFlo products. We have two Diva 400 kits (four 400 watt units) with
both warm and cool lamps. The Diva 400 has eggcrate and Flozier diffusers. Banks are dimmable with
2 and 4 lamp switches. Excellent light and won't sweat the talent.
KinoFlo Gaffer DMX Kit
High output 4' 4 lamp Kino units. Cool and warm lamps available.
Great high output light source with minimal heat. Excellent color uniformity.
Various Lighting
Various halogen and camera mount lights from Frezzi, Arri, etc.
Complete with softboxes, barndoors and gels.
Stands and Supports
Marshall C-stands with Gobo-arms
6 Marshall C-stands with Portabrace sandbags for support. Each
has gobo-arms
Glidecam 4000
Versatile stabilization system and works with all our cameras. Unless trained,
we recommend hiring one of our trained operators.
Includes shoulder vest and LCD monitor.
Kessler CineSlider
The super-smooth CineSlider 3'ft features an adjustable crank and
tensioner. With the K2 stand and Hercules head, it's a super stable
slider and very flexible.
Tripods
We have an assortment of Sachtler and Libec tripods
Jony-Jib 18
18 foot super-sturdy Jony-Jib with motorized head.
Pro-Aim 14-foot Jib with remote control motor head
Very stable 14ft jib with stand and remote control motorhead that
can actuate all our cameras. Easy assembly. Counter weights
provided.
Porta-Jib Traveller
A great light-weight JIB .. super versatile
EX-FX Junior Jib
A great jib for tight-spaces
Optics
Cinema
BNCR Mounts:
Cooke 20-100 T3.1 (adaptable with PL Universal)
Nikon Mounts:
Zeiss Distagon 35mm f2.0
Zeiss Distagon 50mm f1.4
Zeiss Distagon 100mm f2.0
Nikkor 20mm wide-angle f2.8
Canon Mounts:
Canon 25-105mm f4/L
Canon 100L f2.8 Macro
Canon 24-70mm f2.8L
Canon 70-200mm IS f2.8L
Canon 50mm f1.4
Micro Four-Thirds:
Lumix 14-35mm f4
Lumix 7-14mm f4
Lumix 14-140mm f4
Voigtlander Nokton 25mm f0.95
Zeiss 18-90 super16mm adapted to MFT (may not reach inifinite focus on some MFT cameras)
Adapters
PL to MFT (Cielo 7)
Nikon to Canon
Nikon to MFT
LIGHTING
1 20-75watt mini Par - uses same accessories as the 100 Pepper
1 200watt Inky Fresnel - uses 50 to 250 watt bulb and can be used w/ AC and DC
1 Set of 200watt Inky Barndoors
1 200watt Inky lightstand adapter 5/8 baby
1 Gel / diffusion frame for the 200watt Inky
1 300 to 650watt Colortran Open face - has w/ full Spot. Accepts same scrims as the Mole Midget & Tweenie
1 Pair of Rotatable 4 leaf Barndoors for the Colortran 650 open face uses same bulbs as Tweenie
1 650 watt Globe for 650 Open face fixture uses same bulbs as Tweenie Peppers and Arri's
1 1000watt /1K Ianiro Baby Baby Fresnel
1 Pair of 8 leaf 4 way rotatable Barndoors for the Ianiro Baby Baby 1K Fresnel
1 2000watt / 2k Ianiro / Strand Fresnel
1 Pair of 8 leaf 4 way rotatable Barndoors for the 2000watt Fresnel
1 1000watt/ 1k compact Soft-broad light - with two way lightstand-adapter 5/8 baby
LIGHTSTANDS
1 Matthews type 2 riser Jr Location stand w/ Rocky Mountain leg
1 Mole Richardson 2 Riser Baby location stand
1 Lightwieght 3 riser 5/8 Baby stand extension
GRIP
1 Matthews/MSE Heavy Duty C-Clamp & 5/8 Baby spud Adapter
1 Mole Richardson Heavy Duty C-Clamp and Junior Adapter.
1 Matthews/MSE Bar Clamp - Fits 1" 4x4 6x6 8x8 over head frames.
1 Matthews Jr to Baby stand adapter (Buttplug) allows use of Baby fixtures on Jr stands
1 Matthews/MSE Telescoping Stirup & Hanger for 2K 5K and large HMI's
1 Matthews/MSE Jr Crowd Hanger - for use with 2K, Baby 5K and 400 to 1200 watt HMI's
1 Matthews/MSE Twin Baby extanable Speedrail or Truss hang
1 Matthews/MSE used 4 section Articilation arm for smaller bounce cards flags, scrims, dots & fingers
1 American Grip Double 5/8 Baby offset arm
1 Matthews Baby stand adapter for 650 Open Face
1 Matthews/MSE 10" x 42" Flag with flops- Cutter
1 Matthews/MSE 18" x 24" Flag with flops
1 Matthews/MSE 24" x 36" Flag with flops
1 American Grip - 6" Baby Nailon Plate/ Pigeon
1 American Grip - 6" 90 degree angle Baby Nailon Plate/ Pigeon
1 American Grip - 3" Baby Nailon Plate/ Pigeon -
4 Pony Clamps - Small Medium Large
1 Tweenie 650 Scrim Bag
2 Dedolight Gel / Diffusion frames also fits 100 Watt LTM Pepper
Dedo 150 Kit
Editing Stations and Post-Audio Production Services
We rent Final Cut Pro and Premiere Editing stations on multi-core
MacPro systems (with 2TB RAID storage). Monitors are color
calibrated and excellent audio monitoring using JBL 6238P and
6325 Sub-Woofers.
We also have a comfortable client-review area where they can watch on a
large screen HD monitor with great audio. A great way to make a great
impression for your reviews.
We allow usage on site at hourly, daily and weekly rate.
We also provide audio post production services using our Protools HD3 system and
can produce conformed content in stereo and 5.1 surround formats.
Audio post-production is done in our San Francisco Bay Area office by
Protools certified staff.
Using our Protools HD3 systems, we can record and do post production with large
format audio (up to 256 tracks). We have four Digi 192 I/O interfaces and can record
up to 192kHz sample rate
For audio post-production, we offer the Waves Mercury bundle as well as the McDSP
Emerald pack and Neyrink encoders for stereo and surround formats.
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